Concluding Sir John Boardman’s celebrated series on Greek sculpture, this volume explores the transformative phase of the Late Classical Period as well as the dynamic art produced in Greek colonies and overseas. Building on the foundations laid in previous works on the Archaic and Classical periods, the book delves into the evolution of sculpture in the fourth century B.C., leading up to the era of Alexander the Great. The text examines key innovations such as the emergence of the female nude and the development of portraiture, while also considering monumental works and the contributions of influential sculptors of the period. Boardman’s insightful analysis extends to the diverse contexts in which Greek sculpture was created, including its significant impact on non-Greek audiences and the shaping of western artistic taste that endures to this day.
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