The Language of New Media is a groundbreaking work in which Lev Manovich constructs the first systematic theory of new media. Published by MIT Press in 2002, this paperback edition spans 400 pages and offers a rigorous exploration of how new media emerges from the conventions of traditional media, particularly cinema. Manovich meticulously traces the evolution of visual and media cultures over the centuries, demonstrating how elements like the fixed rectangular frame and the mobile camera continue to influence digital practices. Through a rich interweaving of film theory, art history, literary analysis, and computer science, he introduces innovative concepts such as the cultural interface, spatial montage, and cinegratography. This influential text illuminates the distinct forms and methods inherent in new media, revealing how they craft the illusion of reality, engage audiences, and define the representation of space. The book stands as a seminal contribution to understanding the historical ties between avant-garde film and the digital age.
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