Small Nation, Global Cinema offers an innovative examination of how globalization shapes cinema from the distinctive standpoint of small nations. In this thought-provoking study, author Mette Hjort focuses on the particular cultural dynamics of the international film market, revealing how New Danish Cinema serves as a lens through which to understand the broader global shifts in culture and economy. Hjort carefully outlines how cultural circulation and the psychological resonance of heritage drive the transformation of contemporary Danish films. By shedding light on significant movements such as Dogma 95 - pioneered by Lars von Trier and Thomas Vinterberg - and analyzing works by filmmakers like Erik Clausen, Gabriel Axel, Henning Carlsen, and Ole Bornedal, the book extends its scope beyond national boundaries. It skillfully compares cinematic trends from Denmark with those in regions as diverse as Hong Kong, Latin America, and Hollywood, inviting readers to reconsider what it means to be a "small" nation in a globally interconnected world.
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