Moving Pictures is an insightful exploration of how emotions and cognition interplay to shape the aesthetic impact of film and television. The book posits that film genres function as intricate mental frameworks that blend sensory perceptions, emotional responses, and physiological actions, thereby engaging both body and mind. Drawing on the latest developments in neuroscience, cognitive science, and narrative theory, the text challenges traditional psychoanalytical views. Instead, it offers a novel approach to understanding viewer identification and the dynamic ways in which audiences react to various cinematic genres. Further, the book provides a detailed analysis of the emotional architectures underlying genres such as comic fiction, metafiction, crime, horror, and melodrama. Through this multifaceted investigation, Moving Pictures sheds new light on the mechanisms that evoke a profound and tangible connection between the viewer and the moving image.
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